The Computer in the Fine Arts
•Origins
•Controversy
•Future
Ben Laposky, Oscillon #4 (1954-1956 )
Title: Tissue Installation, 2002
Medium: Wood cabinet with physical interface, 1.6Ghz
CPU, 15" monitor
Size: 43" x 17" x 28.75"

http://www.bitforms.com/artist_reas8.html

A field is not a field of study w/o a history. What is the history of computers in the fine arts? Who were the important people?
Where do we stand today? And what looks likely for the future?

•Some good books and increasing attentions paid to these questions
•But history often not known or ignored, even by curators at major museums
•Also, ironically, hard to view these work in reproduction
•Many plotter pieces use fine, delicate lines
•Small jpg’s on web give little sense of feeling of real work
•No high-quality posters available (as with Impressionism) since not big enough audience
•Few coffee-table type book with really good reproductions, in color
•This is why today’s class will be based on examination of real pieces
•Other missing info: stories of the artist’s lives. History books very factual/unemotional—don’t’ give a sense of the struggle, the drama of creating new types of art that many people don’t like or even fine offensive.
•This just starting to come out… (Grant Taylor thesis)