1/27/2005
   slide 9
Creation
First, some non-computer-related observations:

Visual culture:
Art history: painted by Michelangelo in early 1500s, part of the Sistine Chapel ceiling, famous painting, commissioned by the Pope Julius II,
uses religious iconography and narrative: we know from title that the figures are God and Adam.
We can look at the styles of the period and of Michelangelo  in particular, etc. realistic yet idealized depiction of human form, Renaissance attention to proportion, use of shading and perspective, all important aspects of this period of painting
Theory: we all recognize this image, why? Walter Benjamin and influence of mechanical reproduction—creating what he termed the “aura” of the original.
•Evidence: Over 3million visitors a year to Vatican museums.
•So probably at least 2 m people/year see this in person– a lot!

•Viewers tell of aggravation of actually going to see the chapel. Hour-long wait typical! Dark, cramped, forced in one direction, etc. recorded tape didn’t work… (link in notes)

•Technology: Role of photography and printing essential in creating this situation.


Art and Design: the life-like modeling of the human form, the dynamic composition, the use of color, especially as revealed by the recent cleaning of the chapel ceiling . The challenges of fresco, etc
The effects of the design can also now be analyzed in terms of…

Vision Science (Cog Sci) : how do we recognize those swirls of paint as people?
Why do some colors come forward—red in front, red for God, blue recedes (artists’ rules of thumb but also now confirmed by more scientific methods)
Why easy to discern figure from ground,
How was Michelangelo able to create the  illusion of the painted architectural elements (and the role they play in the image….)

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SOURCES
http://luciano.stanford.edu/~fred/rome.html
Travel reports describe long lines, multi-hour waits, people bribing official to cut the lines, unpleasant viewing conditions, and more
http://www.epinions.com/content_18359946884