1/28/2004   slide 13
Semiology
•The Theory of Signs
•How do we get meaning from an image?
vert.sun.ap.jpg
Late-breaking sign abuse
How do we know what these images mean?
Have to interpret signs, and not just individual elements but their relationships to one another (just as individual words don’t’ tell you what a novel is about… so have to look at how the different image-signs are composed)
Decoding can be straightforward—in religious painting we know that “dog” stands for fidelity, and the audience for the painting would have known that too. (iconology)

But what about images like a Cosmo cover? Or a nature photograph? (Will say more about middle images in the next slide)

Semiotics says that all communications are composed of  signs that needs to be decoded

This is easier to understand with images that do not look like what they represent: a six-pointed star doesn’t Look like: Judaism, for instance—you have to know what it means when used as symbol. Similarly with one of most emotionally powerful icons of our time—the swastika

Context and relationship to other imagery key; CROSS: visually simple, many uses and meaning changes with context: defense against vampires, Muslim: symbol of religious oppression, warfare (crusades), blacks in the south -> religious icons in churches and beyond or KKK/symbols of bigotry/racism. Costume jewelry worn in ways that offend religious people.
Emotions these simple graphics can evoke is amazing.

Similarly, a person floating on a flower bed isn’t immediately meaningful unless you know something about Buddhism.

Writers like Umberto Eco and others have tried to develop an all-encompassing system for reading visual, and other, material.
Short discussion?: Can the same system be used to read all of these images? Is there any difference between understanding an “art” image and an advertising image? A nature photograph? A family snapshot?

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Sources
Rude signs: http://www.thejokefactory.org/JF_pictures/Pictures_by_date/2003/06_June_03/MY%20kinda%20Road%20Signs.jpg

Religious symbols www.lynchburg.edu/ academic/religion/

Arnolfini Wedding Portrait
Northern Renaissance
oil on wood
1434
by Jan Van Eyck

full of symbolic imagery: dog (fidelity), mirror (eye of God), fertility symbols
-record of a real event
-artist is shown in the mirror on the back wall
-great deal of detail

http://faculty.evansville.edu/rl29/art105/f02/art105-4.html

Buddha
http://www.users.bigpond.com/muir_pmg/odiyana/gallery.htm